Adventures in Sound Poetry: Interview with Lane Chasek

What got you interested in sound poetry?

What was the writing process for the book? Was it different in any way from your usual writing process?

The original working title for the book was “Notes of an Aspiring Sound Poet.” How did the book evolve from when you first sat down to start writing it?

The book is partly about your journey in writing your first sound poem. Did writing this book help you become a better sound poet?

Sound poetry is a form of language but without semantics or syntax. How can you judge a good sound poem from a bad one? Is it mostly about the performance?

Your book introduces a cast of historical figures who are all distinct and fascinating. Would it be fair to say that sound poets are some of the most colorful figures in the history of poetry?

There have always been artists who are drawn to nonsense, or pure expression without any clear meaning. Famous writers who dabbled in nonsense include Lewis Carroll, Alfred Jarry, and of course Hugo Ball. Do you know why nonsense is such an enduring quality of art?

Hugo Ball viewed sound poetry to be a partly political art form. Can you explain the political side of sound poetry? Also, do you have any opinion about the role sound poetry — or art in general — should play in politics?

Do you think sound poetry has a future as a poetic form?

What are you working on now? What’s your next writing project?

Author of “The Singularity Survival Guide” and Editor at Read more at Follow me on Twitter @HeyPeterClarke

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